Galleria Continua
Kader Attia
Loris Cecchini
Loris Cecchini
Loris Cecchini
Loris Cecchini
Loris Cecchini
Moataz Nasr
Moataz Nasr
Moataz Nasr
Moataz Nasr
Hans Op de Beeck
Hans Op de Beeck
Hans Op de Beeck
Hans Op de Beeck
Hans Op de Beeck
Giovanni Ozzola
Giovanni Ozzola
Arcangelo Sassolino
Arcangelo Sassolino
Arcangelo Sassolino
Galleria Continua est née à l’initiative de trois amis : Mario Cristiani, Lorenzo Fiaschi et Maurizio Rigillo, en 1990 à San Gimignano, en Italie.
Installée dans une ancienne salle de théâtre et de cinéma, Galleria Continua est implantée là où personne ne l’attendait, dans un lieu, San Gimignano, chargé d’histoire et intemporellement magnifique.
De nouvelles possibilités de dialogues et de croisements peuvent ainsi naître entre des géographies inattendues, rurales, industrielles, locales et globales, art d’hier et d’aujourd’hui, artistes de renom et émergents. Galleria Continua est ce désir de continuité entre les époques, ce vœu d’écrire une histoire présente sensible de la création actuelle qui nourrisse le lien entre hier et demain, les individus et les géographies diverses et inaccoutumées.
Ainsi, depuis près de vingt ans, Galleria Continua s’est forgée, au fil de rencontres et d’expériences, une identité forte autour de valeurs généreuses et altruistes qui ont servi de base à ses collaborations artistiques, à son rapport au public et à son développement.
Galleria Continua opened in San Gimignano (Italy) in 1990, the result of the initiative of three friends : Mario Cristiani, Lorenzo Fiaschi and Maurizio Rigillo.
Occupying a former theatre and cinema, Galleria Continua established itself and thrived in an entirely unexpected location, in a town (San Gimignano) steeped in history, timeless, magnificent. This choice of location provided scope for the development of new forms of dialogue and symbiosis between unexpected geographies : rural and industrial, local and global, art from the past and the art of today, famous artists and emerging ones. Galleria Continua is all about a desire for continuity between ages.
Remaining faithful to a spirit of perpetual evolution and committed to interesting as broad a public as possible in contemporary art, in the course of over twenty years, Galleria Continua has created a strong identity for itself through its ties and experiences.
The aspiration to having a part in writing the history of the present, a history that is sensitive to contemporary creative practices and which cherishes the link between past and future, and between different and unusual individuals and geographies.
Galleria Continua > Kader Attia
Kader Attia
Holy Land, 2007- 2010
21 miroirs
7 miroirs : 190 x 83 cm
8 miroirs : 170 x 75 cm
6 miroirs : 150 x 63 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
et Goodman Gallery, Cape Town / Johannesburg
Ph. : Victor Clayssen
Holy Land, 2007- 2010
21 mirroirs :
7 mirrors : 190 x 83 cm
8 mirrors : 170 x 75 cm
6 mirrors : 150 x 63 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
and Goodman Gallery, Cape Town / Johannesburg
Ph. : Victor Clayssen
Galleria Continua > Loris Cecchini
Loris Cecchini
Steelorbitalcocoonz, 2007
Acier soudé
208 x 94 x 49 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Ela Bialkowska
Steelorbitalcocoonz, 2007
Steel weld spherule
208 x 94 x 49 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Ela Bialkowska
Galleria Continua > Loris Cecchini
Loris Cecchini
The rainbow trusses (evanescent shides with klèma drawings II), 2010
Polycarbonate protégé UV, acier, fusion en bronze
308 x 60 x 45 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
The rainbow trusses (evanescent shides with klèma drawings II), 2010
UV protected polycarbonate, Optical Lighting Film, steel, bronze casting
308 x 60 x 45 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Loris Cecchini
Loris Cecchini
The rainbow trusses (evanescent shides with klèma drawings I), 2010
Polycarbonate protégé UV, acier, fusion en bronze
230 x 115 x 31 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
The rainbow trusses (evanescent shides with klèma drawings I), 2010
UV protected polycarbonate, Optical Lighting Film, steel, bronze casting
230 x 115 x 31 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Loris Cecchini
Loris Cecchini
The rainbow trusses (evanescent shides with klèma drawings III), 2010
Polycarbonate protégé UV, acier, fusion en bronze
225 x 100 x 36 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
The rainbow trusses (evanescent shides with klèma drawings III), 2010
UV protected polycarbonate, Optical Lighting Film, steel, bronze casting
225 x 100 x 36 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Loris Cecchini
Loris Cecchini
The rainbow trusses (western diagram frame with edhera), 2010
Polycarbonate protégé UV, acier, fusion en bronze
308 x 60 x 45 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
The rainbow trusses (western diagram frame with edhera), 2010
UV protected polycarbonate, Optical Lighting Film, steel, bronze casting
308 x 60 x 45 cm
Courtesy Galleria Continua, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Moataz Nasr
Moataz Nasr
Khayameya, 2009
12181 allumettes sur bois
100 x 100 x 7 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet (haut)
Khayameya, 2009
12181 matches on wood
100 x 100 x 7 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet (up)
Galleria Continua > Moataz Nasr
Moataz Nasr
Under fire, 2008
12800 allumettes sur bois, vidéo
160 x 160 x 8 cm chacun
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Alicia Luxem
Under fire, 2008
12800 matches on wood, video
160 x 160 x 8 cm each
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Alicia Luxem
Galleria Continua > Moataz Nasr
Moataz Nasr
Propaganda (Mining the passageway of Khour Abdallah Allah and Um Al Kasr waterways will not affect the coalition ships. Mining will only harm the Iraqi people), 2008
Tissu brodé
108 x 187 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Alicia Luxem (haut)
Ph. : Kathrin Oberrauch (bas)
Propaganda (Mining the passageway of Khour Abdallah Allah and Um Al Kasr waterways will not affect the coalition ships. Mining will only harm the Iraqi people), 2008
Embroidered textile
108 x 187 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Alicia Luxem (up)
Ph. : Kathrin Oberrauch (down)
Galleria Continua > Moataz Nasr
Moataz Nasr
Propaganda (Do not attempt to use nuclear, biological or chemical weapons. The coalition owns high tech satellite dishes that allow the allied forces to monitor the preparations and transportation process of nuclear, biological and chemical weapons. Unit leaders will be charged for not reacting.), 2008
Tissu brodé
109 x 183 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Kathrin Oberrauch
Propaganda (Do not attempt to use nuclear, biological or chemical weapons. The coalition owns high tech satellite dishes that allow the allied forces to monitor the preparations and transportation process of nuclear, biological and chemical weapons. Unit leaders will be charged for not reacting.), 2008
Embroidered textile
109 x 183 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Kathrin Oberrauch
Galleria Continua > Hans Op de Beeck
Hans Op de Beeck
Sea of Tranquility, 2010
Full HD vidéo couleur, son
29’ 40’’
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Sea of Tranquility, 2010
Full HD video colour, sound
29’ 40’’
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Hans Op de Beeck
Hans Op de Beeck
Building (Entrance), 2007
Impression lambda contrecollée sur Dibond, Plexiglas
90 x 160 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Building (Entrance), 2007
Lambda print mounted on Dibond back, Plexiglas
90 x 160 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Galleria Continua > Hans Op de Beeck
Hans Op de Beeck
Building (Elevators), 2007
Impression lambda contrecollée sur Dibond, Plexiglas
90 x 160 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Building (Elevators), 2007
Lambda print mounted on Dibond back, Plexiglas
90 x 160 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Galleria Continua > Hans Op de Beeck
Hans Op de Beeck
Building (Waiting Room), 2007
Impression lambda contrecollée sur Dibond, Plexiglas
90 x 160 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Building (Waiting Room), 2007
Lambda print mounted on Dibond back, Plexiglas
90 x 160 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Galleria Continua > Hans Op de Beeck
Hans Op de Beeck
Building (Modules), 2007
Impression lambda contrecollée sur Dibond, Plexiglas
90 x 160 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Building (Modules), 2007
Lambda print mounted on Dibond back, Plexiglas
90 x 160 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Galleria Continua > Giovanni Ozzola
Giovanni Ozzola
Fleuve – Nuit – Septembre, 2010
Triptyque, 3 impressions Lambda sur Dibond, cadres noirs
117 x 204 cm chaque
Oeuvre unique
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Fleuve – Nuit – Septembre, 2010
Triptych, 3 Lambda prints on Dibond, black frames
117 x 204 cm each
Unique work
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Giovanni Ozzola
Giovanni Ozzola
Fleuve – Nuit – Septembre , 2010
3 impressions lambda sur Dibond, cadres noirs
117 x 204 cm chaque
3 oeuvres uniques
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Fleuve – Nuit – Septembre, 2010
3 lambda prints on Dibond, black frames
117 x 204 cm each
3 unique works
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Arcangelo Sassolino
Arcangelo Sassolino
Afasia 2, 2008
Acier, azote dans 250 bar
53 x 70 x 70 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Afasia 2, 2008
Steel, nitrogen in 250 bar
53 x 70 x 70 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Arcangelo Sassolino
Arcangelo Sassolino
Womb-Tomb, 2010
Acier, cire, air compressé
120 x 14 x 5 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Womb-Tomb, 2010
Steel, wax, compressed air
120 x 14 x 5 cm
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Galleria Continua > Arcangelo Sassolino
Arcangelo Sassolino
Macroscopico e domestico, 2009
Acier, gaz, PVC
135 x 49 cm citerne
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet
Macroscopico e domestico, 2009
Steel, gas, PVC
135 x 49 cm tank
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin
Ph. : Daniel Moulinet













































